Her character incorporates elements of the Madonna and the whore binary in an attempt to create complexity. Going back to the film’s opening credits, where these clips fade into static, the intention is made to both critique and correct gender notions as portrayed in the film. After such a promising start, Gordon-Levitt’s analysis crashes to the ground.īy the end, the movie reinforces the very notions Gordon-Levitt seeks to deconstruct. The character of Barbara manifests these problematic themes. His film provides a space in which critical analysis is allowed to be cultivated. The family ogles the model, exploits her for their own gain, and she is not allowed to look back. There is an effort on Gordon-Levitt’s part to cast light on these cultural anxieties. This scene succeeds in demonstrating how these conservative notions of gender are reinforced. The commercial model is scantily clad, enjoying a private moment with a hamburger. Around the dinner table, audiences see a few different reactions: Jon’s father (Tony Danza) slurps his spaghetti, groaning, and Jon’s mother (Glenne Headly) attempts to avert her eyes, but she projects her desires to look sexy on the model. A powerful example is the scene where Jon and his family watch a fast food commercial. What the film points out right away is that reinforcing gender roles does not always have to be direct, like with pornography. They are portrayed as cuts of meat, something to be ogled at and to keep dirty old men glued to their couches. What these clips share in common are the conservative roles of women in society. In the beginning of this film, audiences are treated to a series of clips: porn, news, sitcoms and commercials. Yet by sacrificing analytical depth for fast pacing, the film is problematic and therefore fails to take the full plunge of becoming a progressive film. The film is a strong first attempt by Gordon-Levitt, providing some insight in the nature of how institutions shape our ideas of gender roles. This routine is shaken when he sets himself on the hunt for the provocative Barbara Sugarman (Scarlett Johansson). Now Gordon-Levitt has added the jobs of writer and director with his romantic comedy “Don Jon.” The film follows Jon (Gordon-Levitt), a Lothario who thrives on the routine of his family, church and porn addiction. A majority of the female population would also argue his being attractive is a full-time job. Joseph Gordon-Levitt is a very busy man: he is an accomplished actor and runs the production company hitRECord.
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